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I think books are like people, in the sense that they'll turn up in your life when you most need them.

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My godfather sad that story was abut taking the chaotic jigsaw of life, making it into a picture and putting a frame around it so that we could look a...more

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Shooting Willoughby carrying Marianne up the path. They did it four times. 'Faster,' said Ang [Lee]. They do it twice more. 'Don't pant so much,' said...more

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Lindsay [Doran] goes round the table and introduces everyone -- making it clear that I am present in the capacity of writer rather than actress, there...more

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Our first point of discussion is the hunt. (...) My idea is to start the film with an image of the vixen locked out of her lair which has been plugged...more

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(On period costume posture coaching:)"We all stand about like parboiled spaghetti being straightened out.

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We've hired the calmest babies in the world to play the hysterical Thomas. One did finally start to cry but stopped every time Chris [Newman (assistan...more

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I seem finally to have stopped worrying about Elinor, and age. She seems now to be perfectly normal -- about twenty-five, a witty control freak. I lik...more

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Jane reminds us that God is in his heaven, the monarch on his throne and the pelvis firmly beneath the ribcage. Apparently rock and roll liberated the...more

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Shooting Willoughby carrying Marianne up the path. ... Male strength -- the desire to be cradled again? ... I'd love someone to pick me up and carry m...more

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The fire alarm went off. Fire engines came racing; we all rushed out on the gravel drive, everyone thinking it was us. In fact, one of the elderly res...more

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Paparazzi arrived for Hugh [Grant]. We had to stand under a tree and smile for them.Photographer: 'Hugh, could you look less -- um --'Hugh: 'Pained?

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Difficult for actors to extemporise in nineteenth-century English. Except for Robert Hardy and Elizabeth Spriggs, who speak that way anyway.

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I ask Laurie if it's possible to get trained fish. Lindsay says this is how we know I've never produced a movie.